{"id":19499,"date":"2015-03-31T07:28:06","date_gmt":"2015-03-31T07:28:06","guid":{"rendered":"https:\/\/www.skwigly.co.uk\/?p=19499"},"modified":"2022-09-27T09:24:58","modified_gmt":"2022-09-27T09:24:58","slug":"hertzfeldt-world-of-tomorrow","status":"publish","type":"post","link":"https:\/\/www.skwigly.co.uk\/hertzfeldt-world-of-tomorrow\/","title":{"rendered":"Don Hertzfeldt&#8217;s WORLD OF TOMORROW &#8211; Director Interview"},"content":{"rendered":"<p><strong>UPDATE 26\/09\/2022 &#8211; Don Hertzfeldt&#8217;s <i>World of Tomorrow<\/i> is now available to <a href=\"https:\/\/www.youtube.com\/watch?v=4PUIxEWmsvI\" target=\"_blank\" rel=\"noopener\">watch in full<\/a> via the director&#8217;s <a href=\"https:\/\/www.youtube.com\/user\/t1i1b\" target=\"_blank\" rel=\"noopener\">YouTube channel<\/a><\/strong><\/p>\n<p><strong><i><a href=\"http:\/\/bitterfilms.com\/\" target=\"_blank\" rel=\"noopener\">Don Hertzfeldt<\/a> is easily one of modern independent animation\u2019s true heroes. On top of an established career producing some truly brilliant short film work \u2013 such as his student short <\/i><a href=\"https:\/\/www.youtube.com\/watch?v=7jksRQcI9NA\" target=\"_blank\" rel=\"noopener\">Billy\u2019s Balloon<\/a> (1998)<i>, the gleefully anarchic <\/i><a href=\"https:\/\/www.youtube.com\/watch?v=OjFxc75zuUE\" target=\"_blank\" rel=\"noopener\">Rejected<\/a> (2001)<i>, the stomach-churningly hilarious <\/i><a href=\"https:\/\/www.youtube.com\/watch?v=9W-VGUOiVDc\" target=\"_blank\" rel=\"noopener\">Wisdom Teeth<\/a><i> and many more \u2013 his independent feature <\/i><a href=\"https:\/\/vimeo.com\/ondemand\/itssuchabeautifulday\/60784253\" target=\"_blank\" rel=\"noopener\">It\u2019s Such A Beautiful Day<\/a> (2013)<i> stands out as a brilliantly-conceived portrait of a man whose ailing health and life story is moving to a point that transcends its brilliantly simple and typically Hertzfeldtian stick-figure design style. As well as more abstract work in films like <\/i><a href=\"https:\/\/www.youtube.com\/watch?v=xMsyOowMaEY\" target=\"_blank\" rel=\"noopener\">The Meaning of Life<\/a><i>, his triumphant <\/i><a href=\"https:\/\/www.skwigly.co.uk\/hertzfeldt-simpsons\/\" target=\"_blank\" rel=\"noopener\">Simpsons<\/a><i><a href=\"https:\/\/www.skwigly.co.uk\/hertzfeldt-simpsons\/\" target=\"_blank\" rel=\"noopener\"> opening credits<\/a> stint and the must-own graphic novel <a href=\"https:\/\/www.skwigly.co.uk\/endoftheworld\/\" target=\"_blank\" rel=\"noopener\">The End of the World<\/a><i>, Don has recently completed a new short film that both <a href=\"https:\/\/www.skwigly.co.uk\/hertzfeldt-sundance\/\" target=\"_blank\" rel=\"noopener\">premiered and won<\/a> at this year\u2019s Sundance Film Festival.<br \/>\n<\/i><\/i><\/strong><strong><i>Having enjoyed much acclaim since, <\/i><a href=\"https:\/\/vimeo.com\/ondemand\/worldoftomorrow\" target=\"_blank\" rel=\"noopener\">World of Tomorrow<\/a><i> is today released online via Vimeo\u2019s On-Demand service, a platform that launched with the release of <\/i>It\u2019s Such a Beautiful Day<i> in April 2013. The film, the first of Hertzfeldt&#8217;s to be produced entirely digitally, tells the story of Emily, a child who receives a communication from a future, third-generation clone of herself, informing her of the life journey and vast array of societally &#8216;beneficial&#8217; technological developments that lie ahead. Wittily combining style motifs from his recent <\/i>Simpsons<i> opener, visual concepts from <\/i>End of the World<i> and his instantly identifiable character animation style, the film more than lives up to its reputation as one of his best works to date.\u00a0 Skwigly is proud to welcome Don Hertzfeldt to the site and learn more about his latest work.<\/i><br \/>\n<\/strong><\/p>\n<p><iframe loading=\"lazy\" title=\"WORLD OF TOMORROW by DON HERTZFELDT\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/4PUIxEWmsvI?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><strong>First of all, congratulations on your Sundance win for <em>World of Tomorrow<\/em>. Would you say the festival has a positive attitude toward animated filmmaking in general? <\/strong><\/p>\n<blockquote><p>thanks! and absolutely, i can&#8217;t think of another festival that&#8217;s been so supportive of my work over so many years. since 2001 i&#8217;ve had seven films there&#8230; even animation festivals have played less of my stuff. i served on the sundance shorts jury in 2013, and their programming,\u00a0 docs,\u00a0 animation, foreign,\u00a0 is always the most interesting.<\/p><\/blockquote>\n<p><strong>What can you tell us about the story of <em>World of Tomorrow<\/em>? <\/strong><\/p>\n<blockquote><p>oh,\u00a0 i&#8217;m really bad at summaries.\u00a0 sometimes the hardest part in making a film is when i&#8217;m tasked with coming up with the impossible one-sentence synopsis for a program.\u00a0 i&#8217;m always afraid of saying too much.\u00a0 uh&#8230; it&#8217;s about a little girl who,\u00a0 um&#8230; goes on a journey. oh that&#8217;s terrible.<\/p><\/blockquote>\n<p><strong>I\u2019m certain a great deal of our readership are keen to see it. Is there a distribution plan of action or are you planning to go the usual festival route to begin with? <\/strong><\/p>\n<blockquote><p>&#8220;world of tomorrow&#8221; will be playing theaters and film festivals throughout the year,\u00a0 but as it&#8217;s my first digital piece we now have the ability to bring it to audiences online much quicker than before. with the 35mm stuff there was always a long wait to get the film transferred to digital, endlessly color corrected, produce the DVDs,\u00a0 etc.\u00a0 so this will be releasing world-wide on march 31 via vimeo&#8217;s on-demand service.<\/p><\/blockquote>\n<p><iframe loading=\"lazy\" title=\"It&#039;s Such a Beautiful Day\" src=\"https:\/\/player.vimeo.com\/video\/580393852?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/p>\n<p><strong>Looking back at your recent feature <em>It\u2019s Such a Beautiful Day<\/em> &#8211; though very different, story-wise, the overall tone of the trilogy seems to have been informed by the prior short <em>The Meaning of Life<\/em> more than your other public work. Was that film something of a game-changer in terms of your artistic direction? <\/strong><\/p>\n<blockquote><p>i think &#8220;the meaning of life&#8221; was more of a game-changer in learning how i am least comfortable making a film. i&#8217;m happy with the final product but i was deeply unhappy making it.\u00a0 it took far, far too long to finish, it was the most technically difficult thing i&#8217;ll have ever attempted,\u00a0 and the story (or lack of a traditional one) did not allow me to improvise or really change anything as i went along. so it was often incredibly grueling for me to work on,\u00a0 and then the amount of time i thought it would take to complete doubled.\u00a0 so it was mainly a big lesson for me in how not to make a film &#8211; knowing what sort of project i am happiest making,\u00a0 what sort of project best reflects my strengths &#8211; and because of that experience i&#8217;m probably a much better (and happier) filmmaker now. so it was sort of like my own personal animation boot camp. i like it,\u00a0 but it can be difficult for me to watch because knowing what i had to go through sort of still hurts my heart.<\/p><\/blockquote>\n<p><strong>Does <em>World of Tomorrow<\/em> follow in a similar vein or would you say it has an altogether different direction? <\/strong><\/p>\n<blockquote><p>well..\u00a0 maybe i&#8217;m the least qualified person to answer because i&#8217;m just too close to them to see them clearly,\u00a0 but tonally i would say &#8220;world of tomorrow&#8221; is a cross between &#8220;it&#8217;s such a beautiful day&#8221;\u00a0 and the thing i did for &#8220;the simpsons.&#8221;<\/p><\/blockquote>\n<p><strong>Do you feel that your creative process is more organic when using traditional film methods? <\/strong><\/p>\n<blockquote><p>hmmm, i don&#8217;t think so. my writing habits are the same of course,\u00a0 and i still work with sound the same way, which for me is always a huge part of the process.\u00a0 the main thing that working with 35mm provided that digital does not is that unlimited range of happy accidents in the form of experimental images:\u00a0 running the camera back and forth over animation, lights,\u00a0 effects, and shaking it all up to see what you get. the way 35mm images blend is not the same as in the digital space,\u00a0 and you can meanwhile really capture something beautiful that way without needing to visualize it all first.\u00a0 most of the experimental effects and double-images in &#8220;it&#8217;s such a beautiful day,&#8221;\u00a0 the feature, wouldn&#8217;t have been possible without 35mm.\u00a0 on the other hand,\u00a0 what i am really loving about digital is the speed. i can power through animating scenes now at record speed,\u00a0 and the very long process of carefully photographing every frame is also completely out of the picture.\u00a0 i made &#8220;world of tomorrow&#8221; and the two minute piece for the &#8220;simpsons&#8221; at the same time,\u00a0 and combined they still took exactly half the time as something like &#8220;everything will be ok&#8221; did. and of course the long waits and annoyances with the film labs are also gone.\u00a0 this probably all sounds incredibly obvious to anyone today in their 20s,\u00a0 but to me it feels like i&#8217;m on vacation.<\/p><\/blockquote>\n<p><iframe loading=\"lazy\" title=\"The Simpsons - Travel into the future couch gag\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/8zY9z7IP-1Q?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><strong>Was there anything about Vimeo VOD that seemed especially appealing as an avenue for independents like yourself? <\/strong><\/p>\n<blockquote><p>i think vimeo genuinely cares about quality of presentation, and their 90% revenue share to the filmmakers was unprecedented.\u00a0 youtube is massive and wonderful but it always seems to be eating itself alive with too many advertisements and inescapable tackiness.\u00a0 everyone loves itunes,\u00a0 but by default they require all independents to go through an aggregator to bring their work to them,\u00a0 and at the end of the day the filmmaker&#8217;s % is just too diminished.<\/p><\/blockquote>\n<p><strong>Do you think digital distribution avenues such as this are the way forward for independent filmmaking? <\/strong><\/p>\n<blockquote><p>independent filmmaking is in a constant state of &#8220;evolve or die.&#8221; which is good,\u00a0 it probably keeps us from getting too comfortable. a question that everyone in the industry will constantly be asking from now on is,\u00a0 &#8220;how do people want to watch movies these days?&#8221;\u00a0 there are so many different methods to see something now and they will always be changing with new technology. &#8220;it&#8217;s such a beautiful day&#8221; had a long and healthy life in with theaters,\u00a0 we did the DVD, it&#8217;s on netflix, vimeo, itunes, and in some countries, television.\u00a0 as long as the quality stays high i want to give people every possible option.<\/p><\/blockquote>\n<p><strong><em>World of Tomorrow<\/em><\/strong><strong> features animator <a href=\"http:\/\/www.juliapott.com\" target=\"_blank\" rel=\"noopener\">Julia Pott<\/a> amongst its cast, how long have you been aware of her work and would it be safe to assume you\u2019re a fan? <\/strong><\/p>\n<blockquote><p>oddly enough, i first met julia on a stage at sundance.\u00a0 we were each there with a film years ago and were called up to do a q&amp;a together after a program.\u00a0 so it was kind of cool to have &#8220;world of tomorrow&#8221; play sundance after that festival had directly introduced us.\u00a0 even though she has a great voice she had never acted before.\u00a0 but she&#8217;s funny&#8230; she can tell a joke,\u00a0 you can immediatey tell she has really natural comic timing. so that was enough to know she could pull off the part.\u00a0 i like how squashy and dreamlike her two films are. they have a nice darkness to them.\u00a0 is squashy the right word?\u00a0 i want her to draw a picture for my wall, but she won&#8217;t do it.<\/p><\/blockquote>\n<p><strong><em>For more on Don Hertzfeldt&#8217;s work visit his website at <a href=\"http:\/\/bitterfilms.com\/\" target=\"_blank\" rel=\"noopener\">bitterfilms.com<\/a><\/em><\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"<p>UPDATE 26\/09\/2022 &#8211; Don Hertzfeldt&#8217;s World of Tomorrow is now available to watch in full via the director&#8217;s YouTube channel Don Hertzfeldt is easily one of modern independent animation\u2019s true heroes. On top of an established career producing some truly brilliant short film work \u2013 such as his student short Billy\u2019s Balloon (1998), the gleefully [&hellip;]<\/p>\n","protected":false},"author":114,"featured_media":19506,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[247,4094,755],"tags":[2802,2803,1390,1391,397,2801,2805,2804,1633,2806,2800,2576],"class_list":["post-19499","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-featured","category-independent-animation","category-interviews","tag-billys-balloon","tag-bitter-films","tag-don-hertzfeldt","tag-its-such-a-beautiful-day","tag-julia-pott","tag-rejected","tag-the-end-of-the-world","tag-the-meaning-of-life","tag-vimeo","tag-vod","tag-wisdom-teeth","tag-world-of-tomorrow"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Don Hertzfeldt&#039;s WORLD OF TOMORROW - Director Interview - Skwigly Animation Magazine<\/title>\n<meta name=\"description\" content=\"UPDATE 26\/09\/2022 - Don Hertzfeldt&#039;s World of Tomorrow is now available to watch in full via the director&#039;s YouTube channel Don Hertzfeldt is easily one\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.skwigly.co.uk\/hertzfeldt-world-of-tomorrow\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Don Hertzfeldt&#039;s WORLD OF TOMORROW - Director Interview - Skwigly Animation Magazine\" \/>\n<meta property=\"og:description\" content=\"UPDATE 26\/09\/2022 - Don Hertzfeldt&#039;s World of Tomorrow is now available to watch in full via the director&#039;s YouTube channel Don Hertzfeldt is easily one\" \/>\n<meta property=\"og:url\" content=\"https:\/\/www.skwigly.co.uk\/hertzfeldt-world-of-tomorrow\/\" \/>\n<meta property=\"og:site_name\" content=\"Skwigly Animation Magazine\" \/>\n<meta property=\"article:publisher\" content=\"https:\/\/www.facebook.com\/SkwiglyMagazine\" \/>\n<meta property=\"article:author\" content=\"https:\/\/www.facebook.com\/benmitchellcreative\" \/>\n<meta property=\"article:published_time\" content=\"2015-03-31T07:28:06+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2022-09-27T09:24:58+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2015\/03\/wot.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1280\" \/>\n\t<meta property=\"og:image:height\" content=\"720\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Ben Mitchell\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:creator\" content=\"@benlmitchell\" \/>\n<meta name=\"twitter:site\" content=\"@skwigly\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Ben Mitchell\" \/>\n\t<meta name=\"twitter:label2\" content=\"Estimated reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\/\/schema.org\",\"@graph\":[{\"@type\":\"Article\",\"@id\":\"https:\/\/www.skwigly.co.uk\/hertzfeldt-world-of-tomorrow\/#article\",\"isPartOf\":{\"@id\":\"https:\/\/www.skwigly.co.uk\/hertzfeldt-world-of-tomorrow\/\"},\"author\":{\"name\":\"Ben Mitchell\",\"@id\":\"https:\/\/www.skwigly.co.uk\/#\/schema\/person\/1e6e798460447114f19c1571ef3acb08\"},\"headline\":\"Don Hertzfeldt&#8217;s WORLD OF TOMORROW &#8211; 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As a freelancer he has produced work for WildBrain, CBeebies, Channel 4, Shy Guys, Plymptoons, Animortal, Wonky Films, A Productions, Slurpy Studios and Rumpus to name a few. As an independent director he has produced six multi-award-winning short animated films that have been showcased at over 200 international film and animation festivals including Clermont-Ferrand, BFI London Film Festival, ITFS Stuttgart, Encounters, London International Animation Festival, Pictoplasma, London Short Film Festival and Anima Mundi. Alongside his work in animation production he is an active writer and researcher on the industry through such avenues as the leading UK animation resource Skwigly, for which he is Editor in Chief, and his books 'Independent Animation: Developing, Producing and Distributing Your Animated Films' (2016, second edition published April 2023) and 'Intimate Animation' (2025, co-written with Dr. Laura-Beth Cowley). As an educator he has lectured and tutored at AUB Bournemouth, University of the West of England, University of Gloucestershire and UAL Central Saint Martins. 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