{"id":30851,"date":"2017-05-31T03:00:10","date_gmt":"2017-05-31T03:00:10","guid":{"rendered":"https:\/\/www.skwigly.co.uk\/?p=30851"},"modified":"2019-08-09T20:38:02","modified_gmt":"2019-08-09T20:38:02","slug":"intimate-animation-diane-obomsawin","status":"publish","type":"post","link":"https:\/\/www.skwigly.co.uk\/intimate-animation-diane-obomsawin\/","title":{"rendered":"Intimate Animation: Diane Obomsawin (‘I Like Girls’)"},"content":{"rendered":"

\"\"<\/a>Continuing the second season of Intimate Animation<\/a> \u2013 the Skwigly podcast in which we explore, discuss and interview the talents behind animation that deals with adult themes of love, relationships and sexuality \u2013 we welcome Canadian comic artist\/filmmaker Diane Obomsawin<\/a>.<\/p>\n

Also known by her pen-name Obom, Diane has been a staple of the Montreal underground comics scene since the mid-80s, having moved to Canada after growing up. Cutting her teeth in the world of animation while studying at Concordia Univeristy, since the late 90s she has enjoyed a harmonious relationship with the National Film Board of Canada<\/a>, producing several commissioned films dealing with civil law and personal rights before her first original animated short Here and There<\/a><\/em>, an autobiographical film based on her tumultuous childhood which went on the win Best Narrative Short Animated at the Ottawa International Animation Festival<\/a> in 2006.
\n<\/strong><\/em><\/p>\n

\"Diane<\/a>

Diane Obomsawin (Photo \u00a9R. Nazal)<\/p><\/div>\n

Subsequent films have been based on Diane’s acclaimed work as a comic book writer and artist, with her 2008 award-winning graphic novel Kaspar<\/a><\/em> (inspired by the life of Kaspar Hauser) adapted into a similarly accoladed NFB film in 2012. Among her most recent comic projects is J’aime les Filles<\/em>, a collection of ten reflections by women on their first loves, exploring topics such as coming out, early attempts at sexual expression, affection both reciprocated and not, all presented with honest humour and pathos. The ‘ordinariness’ and relatability of each memoir makes them all the more compelling, with Diane’s distinct illustration style – in which people are depicted with animal heads that vary from story to story – imbuing them with an apropos sense of naivety.<\/p>\n