{"id":315,"date":"2005-04-01T16:21:13","date_gmt":"2005-04-01T16:21:13","guid":{"rendered":"https:\/\/www.skwigly.co.uk\/?p=315"},"modified":"2017-03-06T23:46:38","modified_gmt":"2017-03-06T23:46:38","slug":"interview-with-curtis-augspurger-co-producer-on-valiant","status":"publish","type":"post","link":"https:\/\/www.skwigly.co.uk\/interview-with-curtis-augspurger-co-producer-on-valiant\/","title":{"rendered":"Interview: Curtis Augspurger – Co-Producer on Valiant"},"content":{"rendered":"

Curtis Augspurger (left) was hired by John Williams and made\u00a0responsible for architecting the production paradigm and\u00a0budget, building the studio and staffing the production team. \u00a0Curtis and his team managed the entire film to an on-time,\u00a0on-budget schedule while maintaining the highest industry standard quality.<\/em><\/p>\n

\"\"How did you come up with the idea to produce this story?<\/strong><\/p>\n

George Webster, our screen writer, saw an article in his morning paper about\u00a0animals in war, and the carrier pigeon\u2019s role. This got him to put pen to\u00a0page, and we ended up with Valiant. Eric Bennett, working with John Williams\u00a0at Vanguard Films, found the story and brought it to John, who immediately\u00a0recognized its merits as a digital feature.<\/p><\/blockquote>\n

Have you been influenced by other artists or movies during your career or\u00a0particularly for this movie?<\/strong><\/p>\n

For Valiant, the war films from 20 years ago like The Bridge On The River\u00a0Kwai, A Bridge Too Far, Stalag 13, Force Ten from Navarone, Where Eagles\u00a0Dare, etc, played a big role in the background of this film. British sitcoms\u00a0like Dad\u2019s Army also stood as a foundation\u2026but the slapstick kind of play\u00a0that we have came from our director Gary Chapman\u2019s love of Buster Keaton and\u00a0Charlie Chaplin.<\/p><\/blockquote>\n

Where does Vanguard see themselves compared to big production houses like Pixar, PDI, BlueSky etc.?<\/strong><\/p>\n

Humbly in their shadows, aspiring to their light.<\/p><\/blockquote>\n

Do you consider yourselves as competitive compared to those ‘big names’?<\/strong><\/p>\n

Our film will stand well against most, both visually and creatively. \u00a0We\u2019ll soon see how it does respectively in the box office. Ultimately\u00a0we are proud to even be considered a competitor in the world of\u00a0digital filmmaking that they have created.<\/p><\/blockquote>\n

Would you say that you have your own visual style compared to\u00a0companies such as Pixar?<\/strong><\/p>\n

Our visual style is definitely unique, and has been derived from\u00a0a very strong visual effects background and a very broad use of\u00a0texture. The tools are the same, but the look is quite new, and\u00a0our subject, pigeons, have definitely not been seen in this light\u00a0before.<\/p><\/blockquote>\n

How did you convince Ewan McGregor to speak the part of Valiant?<\/strong><\/p>\n

John Williams stepped up to help bring in our talent. We were\u00a0advised that many of the actors we were going after were already\u00a0being spoken to by other shows, but we stayed with them as they fit\u00a0our character roles perfectly. Ewan recognized how fun this film\u00a0could be, and its historic significance, and dove in\u00a0head-first.<\/p><\/blockquote>\n

Was that before or after Robots?<\/strong><\/p>\n

We signed Ewan, and then a couple of weeks later saw that\u00a0he was the lead in Robots, so it must have been on or\u00a0about the same time. He\u2019s got a really good agent\u2026.keeping\u00a0him very busy.<\/p><\/blockquote>\n

—————————————————————<\/p>\n

VALIANT<\/strong>
\nThe Flying Heroes\u00a0(A True Story)<\/em><\/p>\n

In reality, fiction is fact\u00a0\u2013 thousands of pigeons were\u00a0used to carry messages in war\u00a0situations during World War I and\u00a0World War II. Many of them saved\u00a0human lives, and large numbers of\u00a0them died while doing it. Some were\u00a0awarded the Dickin Medal, the Victoria\u00a0Cross for Animals, to recognize their\u00a0bravery and the contribution of animals\u00a0in war time. Two animal organisations,\u00a0The Amalgamation of Racing Pigeons and\u00a0The People\u2019s Dispensary for Sick Animals,\u00a0were instrumental in providing support and\u00a0reference to Vanguard Productions during\u00a0the creation of Valiant.<\/p>\n

They also retold stories of the activities of\u00a0pigeons in war and provided the opportunity\u00a0for the animators to visit pigeon lofts, where\u00a0they got to examine the birds and study their\u00a0behaviour and do essential reference filming. \u00a0Jake Partridge, co-founder member of the\u00a0Amalgamation of Racing Pigeons, which is\u00a0attached to the National Pigeon Service and\u00a0which did such an outstanding job in war said:\u00a0\u201cWe were keen to help the production by giving\u00a0them a true reflection of what pigeons achieved\u00a0in war time. Many people today who have not\u00a0been to war know nothing about how pigeons\u00a0were instrumental in saving so many lives\u201d.<\/p>\n

The Army, the Air Force and the Navy all\u00a0had pigeons with them so that when\u00a0in difficulty, they could attach a\u00a0message to a bird, and the\u00a0released pigeon would\u00a0return where it came\u00a0from, thereby delivering\u00a0the message. The PDSA presented the\u00a0film makers\u00a0with a copy of a Dickin Medal. \u00a0It was given pride of place in the studio,\u00a0so that all the animators could feel that\u00a0the story of Valiant really did happen\u00a0and to remind them that during\u00a0the war, pigeons really did take\u00a0those brave and amazing\u00a0journeys.<\/p>\n","protected":false},"excerpt":{"rendered":"

Curtis Augspurger (left) was hired by John Williams and made\u00a0responsible for architecting the production paradigm and\u00a0budget, building the studio and staffing the production team. \u00a0Curtis and his team managed the entire film to an on-time,\u00a0on-budget schedule while maintaining the highest industry standard quality. How did you come up with the idea to produce this story? […]<\/p>\n","protected":false},"author":1441,"featured_media":19974,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":true,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":false,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[247,755],"tags":[],"class_list":["post-315","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-featured","category-interviews"],"acf":[],"yoast_head":"\nInterview: Curtis Augspurger - Co-Producer on Valiant - Skwigly Animation 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