{"id":37991,"date":"2020-02-12T05:26:39","date_gmt":"2020-02-12T05:26:39","guid":{"rendered":"http:\/\/www.skwigly.co.uk\/?p=37991"},"modified":"2020-03-17T14:20:54","modified_gmt":"2020-03-17T14:20:54","slug":"the-fabric-of-you-josephine-lohoar-self-interview","status":"publish","type":"post","link":"https:\/\/www.skwigly.co.uk\/the-fabric-of-you-josephine-lohoar-self-interview\/","title":{"rendered":"&#8216;The Fabric of You&#8217; &#8211; Josephine Lohoar Self Interview &#038; Review"},"content":{"rendered":"<p><a href=\"https:\/\/josephinelohoarself.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Josephine Lohoar Self<\/a>\u2019s, <em>\u201cThe Fabric of You\u201d<\/em> is a heartfelt portrayal of the severe grief suffered by Michael after he loses his lover Isaac. Set in the 50s, Michael is a quiet seamstress, an anthropomorphic mouse who resides in the Bronx. Isaac enters his life as an inquisitive customer who admires and appreciates the craft and skill that Michael puts into his garments. They have a warm conversation about fashion, the contrast between hiding and expressing. The theme of identity is raised throughout the film. In the character design; human bodies with mouse heads almost like they\u2019re wearing masks. The uniformed trench coat, trilby hat style of the 50s shows the need to conform. In the end scene Michael puts on Isaac\u2019s coat as he goes to reconcile himself to him. The tender display of two men in love pushes against the constraints of their society and is a much needed take on sexuality in that era.<\/p>\n<p><iframe loading=\"lazy\" title=\"The Fabric of You extract\" src=\"https:\/\/player.vimeo.com\/video\/355325319?dnt=1&amp;app_id=122963\" width=\"500\" height=\"281\" frameborder=\"0\" allow=\"autoplay; fullscreen; picture-in-picture; clipboard-write; encrypted-media; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\"><\/iframe><\/p>\n<p>I enjoyed the non-linear structure, the way we flow back and forth from Michael\u2019s life to his memories. It feels real, the way seeing ordinary objects like a kettle, a button, a sewing machine or jacket can spark off memories and make us relive our past moments. Michael\u2019s grief is inescapable and even his happy memories are tainted with the stinging reminder that Isaac is dead. The travelling back and forth in time makes me unsure whether I\u2019m in the present or past, emulating the whirling feelings of Michael, who\u2019s fixated on what he\u2019s lost. The style of this film is interesting as on first glance the fuzzy stop-motion mouse reminds me of a children\u2019s character similar to <em>\u201cFantastic Mr Fox\u201d<\/em> or <em>\u201cWind in the Willows\u201d<\/em>. In this way it subverts expectations and might make the film even more impactful. The animation performance style has an elegant subtlety that reminds me of Kaufman\u2019s, <em>\u201cAnomalisa\u201d<\/em>, another stop-motion film that deals with complex, mature themes.<\/p>\n<div id='gallery-1' class='gallery galleryid-37991 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2020\/02\/The-Fabric-of-You-Josephine-Lohoar-Self-Stills-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2020\/02\/The-Fabric-of-You-Josephine-Lohoar-Self-Stills-1-300x300.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2020\/02\/The-Fabric-of-You-Josephine-Lohoar-Self-Stills-2.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2020\/02\/The-Fabric-of-You-Josephine-Lohoar-Self-Stills-2-300x300.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2020\/02\/The-Fabric-of-You-Josephine-Lohoar-Self-Stills-3.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2020\/02\/The-Fabric-of-You-Josephine-Lohoar-Self-Stills-3-300x300.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p>The intricate puppets, costume and set support the story well and have a tangible and textural feel. I buy into the world and go with it easily. The soundtrack adds to the cinematic tension and blends subtly Michael\u2019s memories with his current situation. It\u2019s a sensitive film that expresses very earnestly the insatiable longing to be reunited with those who are gone. The ending of the film doesn\u2019t offer hope and I admire the integrity of a film that has no happy ending. Before grief and death, there was life and love; this film captures the overwhelming feelings that come with both.<\/p>\n<div id=\"attachment_38011\" style=\"width: 810px\" class=\"wp-caption aligncenter\"><a href=\"http:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2020\/02\/Making-The-Fabric-of-You-Josephine-Lohoar-Self-2.jpg\"><img loading=\"lazy\" decoding=\"async\" aria-describedby=\"caption-attachment-38011\" class=\"wp-image-38011 size-large\" src=\"http:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2020\/02\/Making-The-Fabric-of-You-Josephine-Lohoar-Self-2-800x533.jpg\" alt=\"\" width=\"800\" height=\"533\" \/><\/a><p id=\"caption-attachment-38011\" class=\"wp-caption-text\">Photo by: Marilena Vlachopoulou<\/p><\/div>\n<h3>Interview with director, Josephine Lohoar Self<\/h3>\n<p><strong>How did the idea for \u2018The Fabric of You\u2019 start?<\/strong><\/p>\n<blockquote><p>Two years ago, I read the critically acclaimed graphic novel \u2018Maus\u2019 by Art Spiegelman and was incredibly moved by its portrayal of Spiegelman\u2019s father\u2019s experience in the Holocaust. In the novel Spiegelman portrays Jewish people as mice and Nazi Germans as cats, in a highly stylised postmodern style. \u2018Maus\u2019 exposed me to the world of graphic novels and demonstrated the power \u2018book-form\u2019 graphic novels could have.<\/p>\n<p>A theme which I look to explore in my work is how the past and present interweave. \u2018Maus\u2019 moves between two timelines. In the narrative present, Spiegelman interviews his father \u2013 Vladek, about his experiences in the Holocaust, and the narrative past we see these experiences play out. Vladek experiences pan from the lead up to World War II to the liberation of the Nazi concentration camps.<\/p>\n<p>Taking inspiration from \u2018Maus\u2019, I wanted to write a story which explored grief while using a narrative weave.<\/p>\n<p>For the setting of the film I took inspiration from Will Eisner epic graphic novel \u2018A Contract with God\u2019 which revolves around a poor New York City tenement. Having lived in tenement blocks myself, Eisner masterfully creates atmospheric drawings of the confined tenement spaces in which his characters live. I based the set of \u2018The Fabric of You\u2019 on Eisner\u2019s drawings, as well as Hitchcock\u2019s film \u2018Rear Window\u2019. I wanted the confined environment to reflect Michael\u2019s (our main protagonist) grieving mental state. <strong><br \/>\n<\/strong><\/p><\/blockquote>\n<p><iframe loading=\"lazy\" title=\"The Fabric of You: Making of  (by Josephine Lohoar Self)\" width=\"500\" height=\"281\" src=\"https:\/\/www.youtube.com\/embed\/T36BimyhfM4?feature=oembed\" frameborder=\"0\" allow=\"accelerometer; autoplay; clipboard-write; encrypted-media; gyroscope; picture-in-picture; web-share\" referrerpolicy=\"strict-origin-when-cross-origin\" allowfullscreen><\/iframe><\/p>\n<p><strong>What made you decide that the characters would be mice?<\/strong><\/p>\n<blockquote><p>I found Spiegelman\u2019s approach to telling his father\u2019s story through anthropomorphic mice incredibly effective. Spiegelman\u2019s depiction of Jew\u2019s as mice was highly politicized. Deriving the mouse as a symbol for the Jew from Nazi propaganda he wanted to emphasis the absurdity of dividing people along such lines.<\/p>\n<p>For me I wanted to use the animal of a mouse to best reflect my protagonist\u2019s personality while also emphasising the bleak, hovel-like living situation he finds himself in. Similar to \u2018Animal Farm\u2019 by George Orwell, animals can symbolize and reflect elements of human behaviour often far better than human characters can.<\/p><\/blockquote>\n<p><strong>Do you have many influences or inspirations for your work?<\/strong><\/p>\n<blockquote><p>I get my inspiration from a variety of places before I begin on a script. I\u2019m always working in a way \u2013 gathering ideas from short stories people tell me, photographers, paintings, films and real life.<\/p>\n<p>I\u2019ve always been a big fan of European film makers such as Gaspar No\u00e9, Michael Haneke and Lynne Ramsay. I really enjoy films which are provocative and challenge the complicity of the viewer. At the moment I\u2019m obsessed with two of Pawel Pawlikowski\u2019s films &#8211; \u2018Ida\u2019 and \u2018Cold War\u2019, which are breathtakingly beautiful.<\/p><\/blockquote>\n<div id='gallery-2' class='gallery galleryid-37991 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2020\/02\/Making-The-Fabric-of-You-Josephine-Lohoar-Self-3.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2020\/02\/Making-The-Fabric-of-You-Josephine-Lohoar-Self-3-300x300.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2020\/02\/Making-The-Fabric-of-You-Josephine-Lohoar-Self-4.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2020\/02\/Making-The-Fabric-of-You-Josephine-Lohoar-Self-4-300x300.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-2-38013\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-2-38013'>\n\t\t\t\tPhotos by: Marilena Vlachopoulou\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon portrait'>\n\t\t\t\t<a href='https:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2020\/02\/Making-The-Fabric-of-You-Josephine-Lohoar-Self-1.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2020\/02\/Making-The-Fabric-of-You-Josephine-Lohoar-Self-1-300x300.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p><strong>Was it difficult working on a project with such a heavy subject matter?<\/strong><\/p>\n<blockquote><p>I tried very hard to approach the topic of grief with sensitivity. I was fortunate enough, during the development stage of the project to have had a really great executive producer. Together we interrogated and challenged certain elements of the script, while drawing on our own experiences.<\/p>\n<p>I also think it\u2019s important to try and inject elements of humour whenever you\u2019re dealing with heavy subject matters. I found that even in dire circumstance people still manage to find humour. I think it temporarily lifts people\u2019s burden of grief and adds some normalcy to the situation. Speaking from a narrative angle too, when you inject humour before a sad scene it can amplify the heartbreak. The audience have already opened up emotionally, only to be punched in the gut with something stronger! (the recent film \u2018JoJo Rabbit\u2019 is a great example).\u00a0 <strong>\u00a0<\/strong><\/p><\/blockquote>\n<div id='gallery-3' class='gallery galleryid-37991 gallery-columns-3 gallery-size-thumbnail'><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2020\/02\/The-Fabric-of-You-Josephine-Lohoar-Self-TWB-Studios-4.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2020\/02\/The-Fabric-of-You-Josephine-Lohoar-Self-TWB-Studios-4-300x300.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2020\/02\/The-Fabric-of-You-Josephine-Lohoar-Self-TWB-Studios-3.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2020\/02\/The-Fabric-of-You-Josephine-Lohoar-Self-TWB-Studios-3-300x300.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" aria-describedby=\"gallery-3-38019\" \/><\/a>\n\t\t\t<\/dt>\n\t\t\t\t<dd class='wp-caption-text gallery-caption' id='gallery-3-38019'>\n\t\t\t\tPhotos by: Euan Robertson\n\t\t\t\t<\/dd><\/dl><dl class='gallery-item'>\n\t\t\t<dt class='gallery-icon landscape'>\n\t\t\t\t<a href='https:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2020\/02\/The-Fabric-of-You-Josephine-Lohoar-Self-TWB-Studios-2.jpg'><img loading=\"lazy\" decoding=\"async\" width=\"300\" height=\"300\" src=\"https:\/\/www.skwigly.co.uk\/wp-content\/uploads\/2020\/02\/The-Fabric-of-You-Josephine-Lohoar-Self-TWB-Studios-2-300x300.jpg\" class=\"attachment-thumbnail size-thumbnail\" alt=\"\" \/><\/a>\n\t\t\t<\/dt><\/dl><br style=\"clear: both\" \/>\n\t\t<\/div>\n\n<p><strong>Do you have any other projects lined up that you can talk about?<\/strong><\/p>\n<blockquote><p>I\u2019m really excited about a new script I\u2019ve written for another short stop motion film. At the moment we\u2019re pitching it to funding bodies, so fingers crossed you\u2019ll hear something positive from me later this year. 111<\/p>\n<p>I\u2019ve also got a live action script in the works. I\u2019m really looking forward to translating what I\u2019ve learnt from working in stop motion animation into a live action. Although it\u2019ll present new challenges, I\u2019d like to think I can bring my strong eye of detail and visual strengths to the project.<\/p><\/blockquote>\n<p>You can follow the work of Josephine by following her on <a href=\"https:\/\/www.instagram.com\/josephinelohoarself\/?hl=en\" target=\"_blank\" rel=\"noopener noreferrer\">Instagram<\/a>, or checking out her <a href=\"https:\/\/josephinelohoarself.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">online portfolio<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Josephine Lohoar Self\u2019s, \u201cThe Fabric of You\u201d is a heartfelt portrayal of the severe grief suffered by Michael after he loses his lover Isaac. Set in the 50s, Michael is a quiet seamstress, an anthropomorphic mouse who resides in the Bronx. Isaac enters his life as an inquisitive customer who admires and appreciates the craft [&hellip;]<\/p>\n","protected":false},"author":9552,"featured_media":38011,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[2530,755,248,5944],"tags":[6282,6283],"class_list":["post-37991","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","category-interviews","category-reviews","category-women-in-animation","tag-josephine-lohoar-self","tag-the-fabric-of-you"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>&#039;The Fabric of You&#039; - Josephine Lohoar Self Interview &amp; Review - Skwigly Animation Magazine<\/title>\n<meta name=\"description\" content=\"Josephine Lohoar Self\u2019s, \u201cThe Fabric of You\u201d is a heartfelt portrayal of the severe grief suffered by Michael after he loses his lover Isaac. 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