{"id":6729,"date":"2013-06-24T00:01:36","date_gmt":"2013-06-24T00:01:36","guid":{"rendered":"https:\/\/www.skwigly.co.uk\/?p=6729"},"modified":"2016-08-29T20:38:30","modified_gmt":"2016-08-29T20:38:30","slug":"animation-script-writing-tutorial-4","status":"publish","type":"post","link":"https:\/\/www.skwigly.co.uk\/animation-script-writing-tutorial-4\/","title":{"rendered":"Story Skills for Animation 4"},"content":{"rendered":"<p><a href=\"https:\/\/www.skwigly.co.uk\/animation-script-writing-tutorial-3\"><strong>Previous Tutorial:<\/strong> Story Skills for Animation 3<\/a><\/p>\n<p><i>The story so far; Oh, just go back and read the other stuff.<\/i><\/p>\n<p><b>Some other advice I\u2019ll give you for nothing, though one day I\u2019ll expect you to buy a book.<\/b><\/p>\n<p><b><\/b>And the answer to last week\u2019s quiz question&#8230;<\/p>\n<p><b>REMEMBER CHARACTER IS IMPORTANT<\/b><\/p>\n<p><b><\/b>If there\u2019s one thing I\u2019ve learnt in the last fifteen years in the industry (other than never expect any money from your first invoice) it\u2019s that audiences love characters who intrigue or enchant them. They might be Homer Simpson. They might be an anglepoise lamp. They might be a cute mouse or a reprehensible monster, but if the viewer feels a degree of empathy with them they will stay the course because they like the things that happen when that character is around and want to see what they\u2019ll do next.<\/p>\n<p><span style=\"color: #000000;\"><strong>As an exercise go back and look at all the You Tube clips linked in part one and part two of this whatever this is. What do they all have in common? Every one of them stars characters that we know and love &#8211; or love to hate. Character comes first. A strong character is the audience\u2019s guide to your world \u2013 the door into your story. It\u2019s the first thing you should talk about when you try to sell a show too.<\/strong><\/span><\/p>\n<p>But often the characters I see in student scripts and show pitches are flimsy and over familiar. They\u2019re clich\u00e9s, because we\u2019ve all seen a million movies and archetypes are what most easily come to mind when we write. Now archetypes aren\u2019t bad, especially in animation (a medium that excels in characterture) but when they\u2019re too familiar they don\u2019t excite, or are sexist or racist or crap. So beware the stock cast of characters you have in your head. They\u2019ve been put there by a lifetime\u2019s exposure to other people\u2019s stories and it\u2019s easy to repeat too accurately something we\u2019ve all seen before.<\/p>\n<p>Great characters intrigue because we can\u2019t understand everything about them at a single glance. We do get the gist, but there\u2019s extra to intrigue and surprise us more.<\/p>\n<ul>\n<li><span style=\"line-height: 20px;\">Ren and Stimpy?<\/span><\/li>\n<li>Spongebob Squarepants?<\/li>\n<li>A dumb blond girl<\/li>\n<li>A hungry fat guy<\/li>\n<\/ul>\n<p>Who would you rather watch?<\/p>\n<h3>Decide what your story is really about<\/h3>\n<p><b><\/b>Usually it starts with an image. A moment. A kick ass scene. It starts with something singular that gets you all excited and makes you want to run off and tell your friends \u201cThere\u2019s this great bit where&#8230;\u201d\u00a0 Then you have to stick a story around it. Then you have to ask yourself \u2018what is my film really about?\u2019<\/p>\n<p>I don\u2019t mean what is the story? That\u2019s just the surface. What is it really about? The\u00a0theme? What\u2019s the secret objective of the tale you are telling? You\u2019d be surprised how often filmmakers don\u2019t answer these questions early on in the creative process, then go badly wrong because nothing underpins their work. Their scripts are walls without foundations. They don\u2019t know what inhabits their building.<\/p>\n<p>Great films have strong subtexts that the viewer often doesn\u2019t even notice, but the\u00a0film maker knows well. That\u2019s how they made a great film. Their self-knowledge\u00a0helped them make the right decisions \u2013 what to reinforce and what to take out.<\/p>\n<p>If you have an idea for a story but no idea of what it is really about, you have a truck\u00a0but no cargo. Think about something you really want to say, then make your story\u00a0serve that higher purpose. Before you start a script answer these questions&#8230;<\/p>\n<ul>\n<li><span style=\"line-height: 20px;\">What does your film seem to be about?<\/span><\/li>\n<li>What is it REALLY about?<\/li>\n<li>How do you want to make your viewers feel at the end?<\/li>\n<\/ul>\n<p>The answers will be your yardstick for judging how successful your script is and\u00a0how much further you have to go. They will also help you find that ending.<\/p>\n<p>Your film may not reach any firm conclusions, but it does need a sense of closure\u00a0or it won\u2019t satisfy. It\u2019ll just stop. A good ending is the natural but entirely unpredictable result of all that has gone before. It is your ultimate weapon for leaving the audience in the state you want to leave them &#8211; be it laughing, crying or arguing about what you meant. By deciding what your secret intentions are you can better devise an ending that is appropriate and affecting.<\/p>\n<h3>Show don&#8217;t tell<\/h3>\n<p><b><\/b>In every screenwriting book this is rule number one, yet it\u2019s one of the hardest to master for many.<\/p>\n<h3>Show don&#8217;t tell<\/h3>\n<p><b><\/b>So I\u2019ve said it twice.<\/p>\n<h3>Show don&#8217;t tell<\/h3>\n<p><b><\/b>And then again \u2013 slightly louder. Always strive for the most visual ways to tell your story. Let your pictures do the talking and save the talking for things that pictures cannot do.<\/p>\n<p>If you\u2019re come to screenwriting from other forms of writing you\u2019ll find this hardest tool to master. Just saying something out loud will be the most natural thing in the world to you and reducing it to pictures a challenge. But this is screen writing \u2013 a visual craft \u2013 and it truly becomes an art form when amazing images tell your tale.<\/p>\n<p><span style=\"color: #ff0000;\"><b>Screen writing secrets three.<\/b> When scripting for animation write every scene without dialogue first. Doodle it. Scribble it. Watch the pictures in your head and then jot them down. Not because that\u2019s the way your script may end up eventually but as an exercise. Visual solutions to storytelling problems are almost always more original than those solved by dialogue, which often end up clich\u00e9. Removing words forces you to be more creative.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Previous Tutorial: Story Skills for Animation 3 The story so far; Oh, just go back and read the other stuff. Some other advice I\u2019ll give you for nothing, though one day I\u2019ll expect you to buy a book. And the answer to last week\u2019s quiz question&#8230; REMEMBER CHARACTER IS IMPORTANT If there\u2019s one thing I\u2019ve [&hellip;]<\/p>\n","protected":false},"author":933,"featured_media":27504,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"jetpack_post_was_ever_published":false,"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":"","jetpack_publicize_message":"","jetpack_publicize_feature_enabled":true,"jetpack_social_post_already_shared":true,"jetpack_social_options":{"image_generator_settings":{"template":"highway","default_image_id":0,"font":"","enabled":false},"version":2}},"categories":[249],"tags":[],"class_list":["post-6729","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tutorials"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v26.6 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>Story Skills for Animation 4 - Skwigly Animation Magazine<\/title>\n<meta name=\"description\" content=\"Previous Tutorial: Story Skills for Animation 3 The story so far; Oh, just go back and read the other stuff. Some other advice I\u2019ll give you for nothing,\" \/>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/www.skwigly.co.uk\/animation-script-writing-tutorial-4\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Story Skills for Animation 4 - Skwigly Animation Magazine\" \/>\n<meta property=\"og:description\" content=\"Previous Tutorial: Story Skills for Animation 3 The story so far; Oh, just go back and read the other stuff. 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